An outfit called Wale´Kerü weaving between knowledge and color

Un atuendo llamado Wale´Kerü tejido entre el saber y el color

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Claudia Patricia Zuluaga García
Nikolai Alexander Narváez Caballero

Abstract

This document exposes the creation research practice as a methodological tool to compare references from the sign and the color, which are adhered to a symbology of living indigenous cultures in the Colombian territory, expressing the myths, the cosmogony and the kinetic art in an experience that concludes an outfit 100% non-biodegradable material and whose code refers to generating environmental awareness. Therefore, three indigenous cultures are referenced where their cosmogonic experiences, their meanings and rites to be crossed are exposed, under the contents of kinetic art that are expressed by the graphic designer and one of the lines of research called “Chromoexpansión”, by the artist Cruz Diez. In this way, we present approaches abstracted from the inquiry, the descriptive category from chromatic aspects of the product; work-creation, and a comparative analysis, which is collated under a formal concept and a graphic line, which exposes the theory, practice and participation in the call for the Costume Museum and international companies.

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Author Biographies (SEE)

Claudia Patricia Zuluaga García, Corporación Unificada Nacional de Educación Superior

Diseñadora Industrial, Licenciada en bellas Artes, Comunicadora Visual de profesión y Magíster en Imagen y Relaciones Públicas de la Universidad de Madero (México). Programa de Diseño Gráfico grupo CODIM de la Escuela de Comunicación y Bellas Artes, Gestora/fundadora de la RedCID de Conocimiento.

Nikolai Alexander Narváez Caballero, Corporación Unificada Nacional de Educación Superior

Doctor en Ciencias, Mención: Gerencia. Profesional y Maestro en Diseño Industrial. Docente -investigador en la Corporación Unificada Nacional de Educación Superior (cun), Bogotá, Colombia.